Not Art, like all good sports fiction, isn’t about sport and in many ways it isn’t even a novel. It’s a piece of autofiction by a man writing about his mother. A mother who is besotted by football and by one practitioner in particular, the great Ferenc Puskás of Hungary.
Esterházy is an interesting character, coming from an aristocratic family, and considered a major European novelist. His brother was a professional footballer and Péter himself played a bit. Continue reading “Sport and Fiction 3: Not Art by Péter Esterházy”
This is one of the most interesting sports fiction books I’ve read. Like the best books in the genre, it isn’t about the sport in question at all – well it’s about a few elements of it: ritual, memory/nostalgia, and repetition. These are key elements of all sport and some of the reasons why we watch and participate in sport. They shouldn’t be underestimated. Continue reading “Sport and Fiction 2: The Throwback Special by Chris Bachelder”
Lucky me, and didn’t I pick well. I’m determined to read more in 2018, and I’ve made a running start. Tús maith and all that…
Autumn by Ali Smith
This is a moving, compassionate and brilliant work. Oblique at time in its writing but very much worth sticking with. It’s set in current-day UK and while it refers to BREXIT and the issues of racism and nationalism appear, it’s not a BREXIT novel at all (don’t believe the press hype), it’s about the deep and life-long friendship between Elisabeth, (from child to adult) and Daniel (a neighbouring gay older man). Continue reading “My First Two Reads of 2018: Autumn and Midwinter Break”
There was something of homework about this novel. I read it soon after A Scandal by Fredrik Backman, as I wanted to see how current novelists are approaching sport as the backdrop to fiction. Seeing as how my own novel, The First Sunday in September, to be published by Mercier Press in August, attempts just that. Continue reading “Sport in Fiction Part 1: A Natural by Ross Raisin”
Was the reader taken aback by his emotional response to Conversations With Friends? Why was the reader so taken aback? Was it because he wasn’t expecting to fully inhabit Frances, the book’s protagonist? Especially given the first person point-of-view throughout? And was that because she is a twenty-one year old woman and he is a fifty-six year old man? Continue reading “Notes on Conversations With Friends after Donald Barthelme’s Concerning The Bodyguard”
The question was ironic. The questioner was commenting on the subject matter of the three readings at the Cork International Short Story Festival at Cork City Library, one of which was by me. The event was showcasing the Smoke in The Rain Anthology, the 2017 From the Well Short Story Competition, organised by Cork County Libraries and Arts Service and it was very kind of The Munster Literature Centre to do so.
In fairness my story was probably the darkest, but Mary Rose’s wasn’t all sugar and spice either. Anne’s was a bit more uplifting, about a boy coming to terms with his grief after his father’s death – yeah, I know, says a lot about the others doesn’t it? Continue reading “Why are Writers So Happy?”
Dealing with rejection is part and parcel of being a writer. The stories are legion.
JK Rowling rejected by 52,000 publishers. Donal Ryan rejected by 230,000 publishers, including Ireland’s Own. James Joyce self-publishing and then buying up all the copies with a loan from his brother and then ‘giving’ them away for glasses of white wine. Yada yada. Continue reading “So You’ve Been Publicly Shortlisted* or ‘Jealous, Who? Me?’”